Strong Legs Folding

This is a stolen play, taken from two authors who never knew each other. I destroyed the play by turning it into a list: a dictée. This idea, “dictée”, is shared but not stolen. I promise. In one of the stolen plays there are three acts about waiting. In this dictée, there are three acts about gone.Those acts are: Gut. Gutted. Guttural.


A performed auto-theory about love and obligation competing in a time when living is becoming unaffordable. This is a psychosomatic inquiry into how the body and language metabolize difficulties into forms of desire and intention. Performed with somatic therapist and artist, Rue Jovanovic, who plays the role of witness, stagehand, and friend – these three functions co-mingle to complicate economies of labor and care. Rigorous but sensual, a series of actions are performed in tandem with anecdotes where the underlying question is: what do we owe each other?

Offta, May 2024

THE PLOT

THE PLOT is part téléthéâtre, part supercut. The performance features three people reiteratively telling each other about a hypothetical movie plot that also involves three characters: the Protagonist, the Writer, and the Voice Actor/Dancer. The movie plot is a psychological thriller and revenge fantasy involving artistic collaborators who become competitors and lovers. Miscommunication, desire, and consent emerge and disappear.

The Plot was presented at Centre Clark (Montréal, 2024) and Écart (Rouyn Noranda, 2025)

Exhibition text by hanako hoshimi-caines

C-Magazine review by Maya Burns

Camera: Isabelle Pauwels Additional camera: performers

Performers: Jacqueline Van de Geer, Sarah Chouinard-Poirier, Nien-Tzu Weng – Sound recording: Elena Stoodley, Oliver Lewis – Sound design: Elena Stoodley – Sound design: Elena Stoodley – Sound mixing: Bruno Pucella Piano composition: Nathan Vanheuverzwijn – Sound mixing: Bruno Pucella Piano composition: Nathan Vanheuverzwijn

The Plot is made possible by the generous support of the Canada Council for the Arts, the CCOV, and PRIM.  

possible performance

You try to jump but you try also not to jump.

possible performance is a score written in the second person. It is an embodied index of different forms of impossibility.

I invite others (friends, people I like, people I trust, people who like me, people who trust me) to perform the score. They work together to figure out what that means -how to be, how to do. There is no audience. I film them. I work with their image.

possible performance has been presented in different shapes and forms:

Arprim, Montreal – 2019 (presented as Sequence of Events)

M:ST, Calgary – 2018

UQAM,  – 2017

01.29.2016 Performers: Jacqueline van de Geer, arkadi lavoie lachapelle

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08.11.2015 Performer: Jacqueline Van de Geer

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06.15.15 Performer: Hannah Morrow

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08.12.2015 Performers: Stephen Quinlan, Lina Moreno, Adriana Disman

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08.12.2015 Performers: Adriana Disman

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05.25.2015 Performer: Jordan Leoppky-Kolesnik